All I care about is getting the best photos for you possible. I don't care about beauty rest, I don't want to be checking my watch while great moments are happening behind me, and I don't want you to worry about my schedule. Right from the start, you get everything you need for gorgeous, comprehensive wedding photography, with NO limit on time and NO limit on images taken. And there are no hidden costs; your images are yours to integrate into your life and keep safe for future generations.
All wedding packages include:
Full-day coverage with Ryan and an assistant photographer
Your own password-protected and customized Web site
A day-of slideshow, allowing for a set of images available within days after the wedding!
All files in high resolution on hard drive -- no watermarks
Everything you need for coverage and peace-of-mind for $5,500 (plus applicable sales tax).
We also offer a wide range of extras, from engagement shoots (which come with a $250 print credit for couples who book a wedding with us) to a hilarious and fun portable photo studio. Any physical products sold by our studio are guaranteed to be awesome, and if they come from the printer not-awesome for some reason, we send it back and make sure it is awesome.
Full price-sheet available upon request
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Jamie Guigno - The looks on their faces is so real. Almost as if it were at a very tender moment. I love this.
Dustin Finn - You say “Shaft of Light” I say ” Sledgehammer ” !!!
From above ?
Sorry I missed out – glad to hear from some new friends and old that the day was another huge hit!!
Connormcc - I’m going to say a light, low behind them, and a reflector just above their heads?
Rishi Shah - I gotta say Ryan… watching you do your craft takes NOTHING away from the impact of the final work.
Omi - I think you’ve bounced a light off a white background and used a reflector for top (and possibly front) fill.
Robert Kilmer - I also vote the “Sledgemamer of Light” low behind them; one off the ceiling/high reflector (?). And they’re in a corner of two light colored (?) walls. That’s my best stab in the dark. Hey, I made a pun!
Lance Ingle - I think it was indoors somewhere tight (close whiteish ceiling and walls) with a single sb low and bare..set on wide angle.. hitting the ceiling and walls. The bounce gave you the nice wrap.
My clues
All this was guessed from his button catching light from left. Her earring and the back of his ear catching from right. Tops of head with that nice soft ceiling light. Also under his arm is lit from below.
I’m probably wrong though.
As always great work.
André P. - I’m guessing some kind of translucent diffusers on the background (2 sheets of thick paper) set side by side with an opening on the middle and speedlight behind that out of camera sight. The light on the subjects it’s just available light.
Dennis Pike - I’m going with a speedlight on the floor, behind them, bounced at a the white wall behind them