
—
Lens: Five-image panorama with the 85mm f/2.8 PC-E
Camera: Nikon D3s
"Work is Love Made Visible." --Kahlil Gibran
Photography has filled me with purpose and joy, and taken me places I never thought I'd go. I have covered three U.S. presidents, been blessed by the Pope, and been stared down by Muhammad Ali. I've shared a laugh with Smokey Robinson, and had a picture I took of him used when he received a lifetime achievement award. I've photographed a 110-year-old woman as she told me what it was like to climb onto the torch of the Statue of Liberty. I was chosen as the only independent photographer allowed near Obama and McCain in their last meeting before the 2008 election. I'm the only photographer in the world to have been officially represented by the three largest photographic retailers in the Western hemipshere. Heck, I've even had a photographic technique named after me (which is crazy).
But I have never felt so blessed by photography as when I am photographing a wedding. At weddings, we are most visibly ourselves -- the walls we walk around with come tumbling down under the forces of joy, anxiety (and sometimes a bit of alcohol). To document that experience, the relationship of friends, families, and a couple launching a new stage in their life, is an incredible feeling. When a client says "This is the first picture I've seen of my parents that actually looks like them!" I feel like I've done something with lasting value. After years of shooting and more than 225 weddings under my belt, I still find each one to be more exciting than the last, and try to make each one the best one that I've ever photographed.
In addition to a staff of photo assistants, I am so happy to have my partner Wendy as a full-time studio manager to make sure that our clients' needs are met at every stage from the first inquiry until years after the wedding. Wendy is the hardest worker I have ever known, and she makes my clients' experience as stress-free as possible.
All I care about is getting the best photos for you possible. I don't care about beauty rest, I don't want to be checking my watch while great moments are happening behind me, and I don't want you to worry about my schedule. Right from the start, you get everything you need for gorgeous, comprehensive wedding photography, with NO limit on time and NO limit on images taken. And there are no hidden costs; your images are yours to integrate into your life and keep safe for future generations.
All wedding packages include:
Full-day coverage with Ryan and an assistant photographer
Your own password-protected and customized Web site
A day-of slideshow, allowing for a set of images available within days after the wedding!
All files in high resolution on hard drive -- no watermarks
Everything you need for coverage and peace-of-mind for $5,500 (plus applicable sales tax).
We also offer a wide range of extras, from engagement shoots (which come with a $250 print credit for couples who book a wedding with us) to a hilarious and fun portable photo studio. Any physical products sold by our studio are guaranteed to be awesome, and if they come from the printer not-awesome for some reason, we send it back and make sure it is awesome.
Full price-sheet available upon request

—
Lens: Five-image panorama with the 85mm f/2.8 PC-E
Camera: Nikon D3s
« Melting into Sunset First Dance, Under Glass »
facebook comments:
© 2012 Ryan Brenizer — NYC Wedding Photographer. Problem solver, storyteller.|ProPhoto Photographer Blogsite | Designed by Photos By Rikki
show hide comments
Dennis Pike - very cool Ryan, I love the way the bridge frames everything
Two Ring Studios - Great use of tilt-shift. I like how you didn’t remove that posted paper on the right too. -Derek
Jeremy - Nice picture,so lovely!
Nikon Tilt-Shift review Part 1: On Camera Movements, And Trends in Photography » Ryan Brenizer — New York City Wedding Photographer - [...] New possibilities First of all, a caveat: I know there is nothing new about being able to move pieces of your camera around for perspective and focal plane control — that predates film. And I know that photographers who have been using large-format for years will be slightly amused by discussions of the things that we can do with tilt-shifts the same way I feel about photographers who are amazed by this great new thing called film cameras. But it’s good to keep our minds open. The above shot was helped along by the high ISO capabilities of the Nikon D3s, and it’s a heck of a pain to stitch a bunch of tilted large-format shots together.. [...]