Courtney and Greg: 11.22.08

View this wedding’s slideshow!

All you need to know is that I had more photos from Courtney and Greg’s wedding than I’ve ever shot on a single day before.

OK, that’s not all you need to know. How about why? How about the incredible amount of friends and loved ones: 300+ guests and a wedding party roughly the size of the cast of Ben-Hur? How about a willingness to do fun outdoor formals even though it was twenty degrees below the normal late-Novemeber in Allentown, Pa? How about the great work of my second-shooter Dave Zaveloff?* And how about a dance floor so crazy that probably no one who attended the wedding should ever run for public office? All in all, and with a fantastic couple to boot, it was a recipe for a great wedding, and the 10 images below can barely contain it. You gotta watch the slideshow.

*As always, since I use these for promotional purposes, all of the images below and in the slideshow were taken by me. But Dave got some great shots, too.

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Jon and Jerry, 11/1/08

View this wedding’s slideshow!

You may recognize one of the guests there — she was the bride in my previous post, and sister to one of the grooms! As you’ve probably picked up from that and the title, this was my first gay wedding, and it was a beautiful experience. I know that this is a hugely contentious issue now with intractable beliefs on both sides, so I’d love it if someone’s wedding photos weren’t weighed down by a bunch of political comments on either side of the issue. That said, this was probably the most emotional wedding ceremony I’ve ever shot. It took me by surprise, actually — if stereotypes were true, a wedding without a bride should be relatively casual, right? But weddings are pretty important things to me, and it struck me that while many people grow up dreaming about their perfect wedding, Jon and Jerry had to grow up thinking “Well, that’s not for me.” They and their parents had spent years thinking that this would never come, and it came out with intensity and joy and relief.

It was a great Boston November day, and apparently the perfect day to get married, since the park was filled with roaming wedding parties, photographers in tow, like herds of migratory animals — Jerry even ran into a bride that he knew! The ceremony and reception hall were beautiful — refined, but still open enough to let people dance like mad.

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A Long Day

Jen and Chris: 5.19.08

View this wedding’s full slideshow!

Here’s one from the Wayback Machine. Jen and Chris are friends of mine, and I was honored to shoot their wedding at a gorgeous French restaurant in Upstate New York. The springtime was in full bloom and the grounds of the venue were absolutely gorgeous … which, of course, meant torrential rain. They weren’t upset and, since they know where I live, just decided it would be better to do most of the formals at some other time. “Some other time” ended up being four months later. So here they are!

The wedding was an intimate affair with fewer than 30 guests, an elaborate dinner party with unbelievable food and a (I timed it) seven-minute wedding ceremony performed  by another friend of mine. Jen and Chris had the first (and only) dance to the musical stylings of Jen’s friend, who decided to sing along with the string performers.

A Cinderella Story

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Rainy Day Memories

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Laura and Keith: 9.6.08

View this wedding’s slideshow.

I was honored and flattered to shoot Keith and Laura’s wedding right from the start. One night quite a while ago, I picked up a call from an elated woman. “Ryan! My son is engaged, and we want you to shoot the wedding!”

“Great!” I said. “When is it?”

“We don’t know!” She replied. “They just got engaged an hour ago!”

The wedding ended up being in the couple’s home town in southern New Hampshire. I traveled up the night before to meet the wedding party and shoot the fantastic rehearsal dinner … at which point I already knew this was a fun, lively crowd.

Well, I don’t know what they put in the New Hampshire water, but this wedding had some of the most outgoing, craziest dancers I’ve ever seen (and boy have I seen a lot). The ceremony was a formal affair at their beautiful local church, and then the reception continued strong until 1 a.m. As you can see from the last picture, taken right at the end, Keith and Laura were still glowing after everything.

Don

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Maria and Ray: 8.30.08

View this wedding’s slideshow

Winter means it’s time to blog about some of the wonderful weddings I missed when things were at their craziest. Maria and Ray had a wonderful, touching, delightfully geeky wedding. Every little finishing touch showed care, such as the place cards derived from media like classic Spider-Man covers and Amelie, and of course the amazing cake with the Super Mario Goomba touches. After a full Catholic mass, the reception was a laid-back, fun dinner at the Dinsmore Golf Club in the Catskills — laid-back, that is, unless you were one of the score of adorable, energetic kids. If you don’t like cute kids, you may not want to see the slideshow — from their energy to the clear care that Maria and Ray had for them, it was one of the most child-friendly weddings I’ve photographed.

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No children were harmed in the making of this photo.

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Video: Big prints!

Ginormous

A lot of my clients are busy New Yorkers who I meet in the city, or out-of-staters who I first meet in conference calls, so most of them never come into my office, and thus don’t get to see some of the larger, less-portable products I offer. So I threw together a quick video that shows off a big print enlargement and two canvas wraps I just got in — one of them large, and one of them gionormous. This video is mostly for wedding clients, but of course any of my photos on Flickr are available for sale as art prints. Just contact me.

For some reason WordPress isn’t letting me embed the video, but you can view it here.

How to Stalk Me

Video Killed the Photo Star

I’m happy to be one of the most easily stalkable people on the planet. Googling my name or common nom de net brings up tens of thousands of hits, with the most popular ones going straight to my home address. I figure real stalkers want a challenge — I’m far too easy a target. I’m no one-man media empire like Thomas Hawk, but I get around.

Kidding aside, I’ve been blessed that there are so many people out there who want to follow my work, and I want to make it easy for you to follow exactly what you want to follow, and no more. I’ve been all around the social Internet, from bulletin boards and back, and I think I’ve got it figured out.

If you want to contact me directly: Use the contact page on my web site. Not only will this always go to the correct e-mail address, it will also be flagged as messages to answer first.

If you just want to read my blog: Here is where I post tips on photography, industry news, and some of my images in larger formats with write-ups about my work. The link is www.amazon.com/ryanbrenizer, and the RSS feed is here. You’d think this is a given — if you’re reading this entry, you’re reading my blog. But it’s ain’t necessarily so, and not just because automated spam blogs steal my content.

If you just want to see pictures (five a week-ish) I’ve been on Flickr since it was just a tiny Flash-driven site, and I still post images there quite a bit, since it’s easy and has a great community. Despite some issues, Flickr is probably the best thing to happen to popular photography since the digital camera. My account is at www.flickr.com/carpeicthus and the RSS feed is here

If you want it in one easy package: I’ve compiled both my blog and my Flickr photos, as well as twitter-like status updates, into a site called FriendFeed, and you can get it here: www.friendfeed.com/ryanbrenizer. One-stop shopping, and I will occasionally say useful things in my status updates. Unfortunately FriendFeed does not contain the full text of my blog in its RSS, just the headlines.

If you want the whole shebang: Not just what’s going on with my photography, but also what’s interesting me on the Internet, the music I’m listening to, and basically the stuff that my mother might want to know, you can add me as a friend on Facebook. I’ve been on Facebook since you had to be a fancy-pants member of the Ivy League to get in, and after a year or so of throwing sheep at people and zombie attacks, it seems to have gone back to its no-nonsense origin. It’s also currently the most-reponsive, easiest place to add high-quality video.

What not to do:

  • Add my WordPress blog. It only exists to feed content into my Amazon blog, and the graphical interface is deliberately broken.
  • Send me messages on alternative e-mail systems such as Flickr mail, Facebook mail, etc. I wish you could turn these barely functional e-mail systems off. I don’t check them.

Satisfied customer

I sometimes wonder whether or not to include client testimonials. It could sound like I’m tooting my own horn, but I know clients who say it’s really important to see … after all, there’s a lot more to wedding photography than just photos on a Web site. It’s also about personal relations, business practices, consistent quality, and a thousand other things. I got a kick out of David’s wonderful note and figured I would put it here as a sample. He’s a cinematographer and Director of Photography for Head Case, among other things, and his knowledge of the field shows in his writing.

Ryan,

I can’t tell you how happy we are that you were available to shoot our wedding.  Even just looking at the initial shots you put together for the slideshow (which the guests were able to see at the event!), I can already see that our instinct to work with you was correct.

There’s always a chance when you look at a photographer’s portfolio (or a DPs reel for that matter) that what you’re looking at is not so much an indication of the artist’s style and consistency, but just a few great images– the needles from a haystack of mediocrity.  After viewing the gallery of images you sent, this is clearly not the case with you.  The types of moments and the “eye” that drew us into your work on your website are totally consistent with what you did for (and with) us.  I’m sure you could tell that I’m not terribly comfortable in front of the camera.  But you did a GREAT job of capturing really nice moments of me and the wedding party.

And thanks for turning this around so quickly!

Best,

David

Annie and Howard: 10.26.08

Without a doubt, October was the most beautiful month of 2008 here. The weather was usually perfect, the leaves were great, and Howard and Annie made the most of it at the gorgeous Surf Club in New Rochelle. It was a wonderful interfaith marriage ceremony. As the rabbi noted during the ceremony, “Secular marriages are wonderful things, but there’s also another, spiritual level when you get married by a priest or a rabbi. When you get married by a priest and a rabbi? Watch out!” And the fun continued through the night … I’m pretty sure Annie is the first bride I’ve seen do an air guitar routine on the dance floor. 10 shots from the night follow, but I recommend viewing the slideshow to get the whole story.

Rishi O - It’s very nice how you are using flash – I’ve got a lot to learn from looking at these pics. I’m wondering about the second picture of the boy at the top. It looks like you held the flash separately with your right hand and shot the camera with your left. I wonder if I’m right..

Kevin - The champagne glass with the lights above – I’d love to know how that came about. Did you plan in ahead of time? Did you shoot the glass and just get lucky with the lights bubbling out? Please tell!

Love your work.

Preview: Sharon and David

Flair for the Dramatic

When you cross a cinematographer and a doctor, what do you get? A fantastic wedding at NYC’s Yale Club, and two people not afraid to shake up the tourists at Grand Central.

It’s a whole new experience to shoot a wedding filled with cinematographers. People kept coming up to me and clapping me on the back. "That shot you just took … that was a great frame!" They didn’t need to wait to see the photo, pre-visualization abounded.

A New World

A New World

I featured Emily and Jeffrey here not long ago when they got engaged, showing off the “bokeh panorama” technique I invented, so what better than to do it again when they were married? To turn the Christmas lights behind them into a fiery glow, this image is actually the product of 17 images taken with a wide-open 85mm f/1.4 on a Nikon D700. This allows for a much shallower depth of field than you’d normally get at this frame of view (not to mention that you could basically make a print the size of a billboard from this).

Max Khokhlov - Hi, Ryan, I’m still curious about the technique you’re mentioning: you’re saying this is a combination of 17(!) images — did they have to freeze for a dozen seconds while you were snapping the series? Or how do you do this?

BdgBill - How do you handle the movement of the people while taking that many photos?

I’m guessing either the D700 is either super fast or the people are in one central image while the rest of the photos make up the background?

Simon - Hi.
Big fan of your work. Is there any-chance of gaining further insight into the technique you used in this photograph?

Also, what is the secret to your colours!

Thanks,
Simon
(UK London)

pilar - ryan – i am still curious about this technique – how do they stand PERFECTLY still while you are shooting off 17 frames? shouldn’t there be some motion blur? PLEASE explain! i’m dying to know!

ps – thank you for sharing your incredible work and your process… i love your pictures and come back again and again for your insight and enthusiasm. it’s really a great thing that you do. i’m inspired.

Storm's a-comin'

Storm

Another from my shoot with Dr. Jim Fisher, author of the forthcoming “On the Irish Waterfront.”

Shooting notes: This shot uses the wonder of Auto-FP mode on the SB-900, which uses rapidfire pulses instead of a single flash to allow syncing at any shutter speed, even, as I used here, 1/8000th of a second (to get those ominous clouds really dark). You lose a lot of power, though, so I was holding the flash attached to a a Lumiquest Softbox III just an inch or so outside the frame, very close to his head. Fired at 1/2 power. Nikon D3, 24-70mm f/2.8.

James - Fabulous. Awesome exposure, sharpness, and I love the cool tone. The green water is very appropriate in this case too.

Patrick - Beautiful portrait, great moodiness in this photograph! BTW, I was one of the guests at Emily/Jeff’s wedding yesterday (the guy who helped hold up the SB-III during the outdoor shoot). Didn’t want to disturb you while you were working, but was very interesting to see you at work.

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Eva and Cris: 10.4.08

Who knew that a couple who works in international policy could be so darned hot? I knew this would be a great wedding after Eva, Cris and I had a fun, very New York engagement shoot, and the wedding day itself was also as Manhattan as it can be: the ceremony and reception were at the Terrace in the Sky, next to their (and my) old stomping grounds of Columbia University, where they met. It was a beautiful day — I think October had the best weather this year by a country mile — and it continued well into the night. I shudder to think of how many languages were spoken by the collective guests.

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Do Not Cross

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Quick housekeeping

I’ve noticed a bunch of people leaving comments on my wordpress blog, and I really appreciate it … except it’s not a “real” blog. It only exists to funnel personal posts into my Amazon blog without broadcasting it to Amazon’s main page (anything I post directly to Amazon gets posted to the main blog). To see all of my content without truncated images, you have to go to http://www.amazon.com/ryanbrenizer or follow the RSS feed there.

A Typical Day in my Life

The title is a ruse: I rarely have anything like a “typical” day.

I know there’s a lot of interest among photography enthusiasts about “what would it be like to do what I love for a living?” Here’s just a snapshot of what my life is like:

8:00: Wake-up, check through e-mail, answering replies and moving things along with about 10 different clients.

9:30: Get on a train for a quick shoot at Fordham University, one of my favorite corporate clients (and my undergraduate alma mater). I planned to arrive there early, which is a good thing because there was a fire on the track, holding me up for half an hour. Preparation kept me from keeping the former New Jersey governor waiting.

11:45: Head into the city for a meeting with a previous wedding client discussing options for professional albums (see her wedding slideshow here)

1:00 p.m.: Especially after the morning’s track fire, I decide to show up for my evening job WAY early. I take the subway down to southern Brooklyn, find a hole-in-the-wall Cuban restaurant that kindly seats me next to a power outlet, and use my laptop to process photos, including the slideshow for Shanté and Akili.

4:30: The day’s big job, an opening of a major research center for the International AIDS Vaccine Initiative. Mayor Bloomberg gets a tour and speaks. A philanthropist himself, he seems genuinely interested in the work the researchers are doing.

Midnight: Get home, scan through e-mail again. Send off a wedding album order that has final approval, process some quick selections for commercial clients, and book a flight to Florida for a destination wedding.

And that was a Wednesday. Things really pick up on weekends. The short answer for “should I become a professional photographer” is “are you passionate enough about it that you can work on other people’s schedules and projects, all day, every day?”

I certainly am, but I’m a bit crazy.

Lainey - Wow. Busy day. Are all of your days like this? Are you now full-time as a photographer? I seem to recall you having another job when we talked last. (I’m Lainey1 from flickr).

How are you doing in this recession with your business?

You should do a whole week of your schedule. Now, that would be intense!

T w i t t e r