
Elizabeth had long dreamed of a November wedding in Central Park. This is why.
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Camera: Nikon D3s
Lens: 29-image “Brenizer method” panorama with the Sigma 85mm f/1.4 (equivalent of 38mm f/0.6 according to Brett’s calculator)
"Work is Love Made Visible." --Kahlil Gibran

Elizabeth had long dreamed of a November wedding in Central Park. This is why.
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Camera: Nikon D3s
Lens: 29-image “Brenizer method” panorama with the Sigma 85mm f/1.4 (equivalent of 38mm f/0.6 according to Brett’s calculator)
I’m working away on my October workshops, now less than a month away! There are just five slots left for Day 2, so make sure you follow the instructions here and, even if you can’t pay right this second, let us know that you’re a lock and when you can pay, since I want to be as fair as possible.
Why do I bring this up? Well, Valerie above is not only an excellent assistant, but she’ll be one of the subjects I have lined up, coming in again all the way from Oklahoma! As you can see, she’s fantastic to shoot, and you’ll see a lot more tomorrow.
Since this is a huge panorama, I want to give you a sense of the size. So you can click on the image above for a link to a larger image, which is exactly one percent of the area of the original. I need to start leasing billboard space.
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Camera: Nikon D3s
Lens: 24-image “Brenizer method” panorama with the 58mm f/1.2 Noct-Nikkor AIS (equivalent of 17mm f/0.36 according to Brett’s calculator)

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Camera: Nikon D3s
Lens: 16-image “Brenizer method” panorama with the 58mm f/1.2 Noct-Nikkor AIS (equivalent of 24mm f/0.5 according to Brett’s calculator)


Either this panorama was so big or Yvonne and Clyde were simply so smoldering that my laptop couldn’t handle it and I had to wait to get home from California to put it together. A rare moment alone in the High Line.
I’ve put together a collection of Brenizer method example photos in nice large size on Google plus, for those who want to wrap their head around it or just like looking at them. Depth-of-feeling matters, not depth-of-field, but it’s nice to be able to turn the dial to f/0.4 when you want to.
I’m digging google plus quite a bit. As some others have found, even though it’s a lot like Facebook and not so much like Twitter, Twitter is what I’m losing enthusiasm for as I delve more into G+. This tweet from Ken Kienow shows the strange folly of a service popular with photographers without, well, photos.
Also, I’m currently one of the only people with a G+ address that makes sense: ryanbrenizer.com/googleplus
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Camera: Nikon D3s
Lens: 64-image “Brenizer method” panorama with the Sigma 85mm f/1.4 (equivalent of 27mm f/0.5 according to Brett’s calculator)
Update: See an updated gallery of Brenizer-method images at Google Plus
So, there was this crazy technique I came up with and streamlined a few years ago to use the effects of a multi-layer panorama, combined with fast lenses shot wide-open, to achieve depth-of-field impossible with current lenses. Ever wanted to shoot with a 24mm f/0.4? This technique gives you the opportunity. I asked a few thousand people if they’d ever seen anything like this before and no one had, so I thought I may be on to something. Still, out of the tens of millions of photographers out there I figured nothing is new under the sun, so I worked and worked on different applications of this. How do I do a 20+ image panorama of moving objects like people? How do I do this with continuous lighting? How can I do this with flash? Along the way, people started calling it “The Brenizer Method,” and while I like to think I have a lot more than one method, I admit I am honored and amused by the way it messes with my siblings’ heads.
It’s pretty simple once you learn the process, but I find for almost everyone it requires hands-on, visual learning to really get it. I’ve wanted to do a really good video of it for a long time, and finally I got the opportunity with the great team at B&H Photo.
If you’re interested in learning more, keep this page marked — I’ll use it as my new home base of information about the technique. View full post »

I’ve always had energy and drive; I think the biggest thing that I’ve developed in nearly 200 weddings is a handy sixth sense for how and when Murphy’s Law will strike and a necessarily unflagging sense of confidence. This job requires you to be a little crazy, and if you’re bringing a bride out to a field like this in heels, you’d better deliver.
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Camera: Nikon D3s
Lens: 17-image “Brenizer method” panorama with the Sigma 85mm f/1.4

I feel like my blog has unexpectedly become a travel brochure for Newark. But man, Branch Brook Park did their cherry blossom display right, and Cindy, Sharvin and I had all sorts of fun there.
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Camera: Nikon D3s
Lens: Nine-image “Brenizer method” panorama with the Sigma 85mm f/1.4
![[Group 1]-100406-173123 85 copy](http://www.ryanbrenizer.com/wp-content/themes/prophoto4/images/blank.gif)
Remember Dora and Josh? We couldn’t get enough of each other, so we went for another round!
A few questions for you: Would you take a photo of a bride and groom in the middle of an active street? Would you take NINETEEN photos of them in the street, to stich them together in a panorama? Well I would.
One more, for those with a good sense of perspective: Dora and Josh are standing in a safe zone called the cross-walk. Where was I standing when I took the nineteen photos? Right, the intersection.
Kids, don’t try this at home.
I was trying to get this a BIT more finished before the Grand Opening, but I’ve been blessed with an incredibly busy shooting schedule, and wanted to give new readers some content to look at. For now, here are some links to “Brenizer Method” content!
As some of you might have realized, despite the PhotoJojo title, this is all about LESS depth of field than is normally possible, not more.
Here are some images that show off the technique (You can also search Flickr:)