Tag Archives: model

NYC workshops April 13-14

What better way to get attention than photos of the gorgeous Kelsie in the Nevada desert? I’m hosting my first NYC workshops in a year on April 13 and 14, heavily tweaked to get the absolute most out of our time for new ideas and evolution as a photographer and a businessperson. See more information here!

A lot of the tweaking for this came during my preparation for my recent WPPI speech. I took only a brief break to photograph Kelsie out in the desert, including some fun with Polaroids on the Mamiya RZ 6×7.


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New Studio Madness with Dominique Dicaprio

A while back, I closed the lease on my new studio and thought “What trouble could I get up to with an empty apartment?” There could be few better partners in crime than fantastic model and actress (and budding photographer) Dominique Dicaprio, running through all sorts of techniques that are hard to pull off on a wedding day. We wanted to make some crazy pictures, and of course the more that you practice wild techniques, the easier it is to actually pull them out at a wedding — it took some time to make a 75-image panorama of moving people one of my “safe” techniques.”

Most of these are with the Nikon D4, but one of them is with the Sony RX1, which is on my pile of “things to review when I break my femur and am actually forced to stop shooting and travelling so much.” The best thing I can say about it is that other than a lucky guess, there’s no way to tell — it has every bit the quality of a high-resolution dSLR in a much smaller package. But I am addicted to viewfinders, so the default lack puts me off a bit.

Thank you Dominique!


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She’s Got Kelsie Fields Eyes…

Storyboard002

Some of you may remember Kelsie from my adventures in Boise. Well, she’s been visiting the city and is off to Italy soon, so I knew we had to shoot even though my schedule is crazy. I’ve been inspired by the Brenizer method contest, so I wanted to get a bit ambitious with it. Thanks to perspective and parallax error (among other things), it isn’t easy to use this technique from close-up. But of course the closer you are, the more dramatic the effect. Here I really wanted to show the sort of depth-of-field effect that you can only get in one shot with a large format camera and some really exotic lenses, all calling attention to those darned eyes.

Kelsie, by the way, is an insanely talented singer. You’ll be hearing more from her. And more photos to come.

Camera: Nikon D3s
Lens: 12-image “Brenizer method” panorama with the Nikon 85mm f/1.4G (equivalent of 39mm f/0.56 according to Brett’s calculator)


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Natalya.

I’m headed off to WPPI in Vegas, the biggest photography conference in the known Universe. I’ll be shooting, meeting friends new and old, and just possibly trying to ride Siegfried and Roy’s tiger around town. If you’re at WPPI, send me an @reply on Twitter — I’ll be playing host a few times throughout the conference, and I’d love to meet blog readers. The business continues as usual in Wendy’s capable hands, but I figured I’d leave something awfully pretty up for the blog when I’m gone, and Natalya more than fits the bill.

A photographer and documentary filmmaker herself, she was an amazing subject to work with: She can go from vulnerability to a Julia Roberts laugh in a heartbeat. And she knows how to dominate a beam of light.

Lots of different light sources in this set, including an iPhone. Photography-geeks can feel free to guess.

Hair: Chi Shay
Make-up (and light assistant): Andrew Sutphen


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Love Is a Battlefield

120212 161424 45mm f2 8B

I’ve been shooting some more fashion and beauty recently because of a new partnership I’ve made, some new gear I’m testing, and because it allows me to mix things up in my head before I hit the wedding season full steam. It’s extremely easy to take photos of a great model like Christine and make her look good. As usual for this sort of subject, my interest lies in creating photos with an unfinished story. Christine managed to bring out so much power and ambiguity on a dime. Lots more to come.

On that note, happy Valentine’s Day, especially to the 71 couples I’ve photographed who will be celebrating their first in marriage.

Lens: 45mm f/2.8 PC-E
Camera: Nikon D3s
Lighting: White Lighting 1600 (modeling light only) with a modifier to be named later…


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